Located in a quiet Warwickshire village, the roomy farmhouse was perfect for a growing family.
‘I love colour,’ Annabel admits, as if sharing a secret, but take a look at her paintings and, indeed, her home as a whole, and it’s clear she really does have an exceptional eye for colour. Stooped doorways, wonky beams and vast inglenook fireplaces fill Annabel Playfair’s 18th-century home with character, and there’s a sense of history at every turn.
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On holiday in Cornwall some years ago they crossed the estuary to Padstow for lunch, where Annabel went into an antiques shop for a browse and emerged with the pink pouffe, which had to come back on the ferry. The tapestry-covered footstool is from James Holiday Antiques, the bureau and mirror are from Station Mill Antiques, the curtain fabric is by Kate Forman, and the lamps are from Pooky
The story
Owner: Artist Annabel Playfair lives here with her children, triplets George, Henry and Tilly, 19, and Max, 24
Property: An 18th-century Grade II-listed, eight-bedroom home in Warwickshire, set in 10 acres of grounds
What she did: Kitchen and living room extensions were built in 2001, a garden room and loggia (right) in 2010. Annabel recently converted the stables into an art studio
Still, there’s a contemporary twist to its light-filled rooms with wide views across a sweep of lawn to the rolling hills behind. One-off pieces of furniture are part of a collection built over the years, displayed alongside Annabel’s own oil paintings, which range from dramatic seascapes to tumbling bowls of tulips, and those landscapes stretching from the doorstep.
Annabel handpainted the delicate pale blue design on the study walls – no two birds are the same. She’s a great collector of one-off items for her home, often much to the embarrassment of her children
The love seat in the living room extension is from an antiques shop in Moreton-in-Marsh. Above it hangs Annabel’s painting of Port Isaac
Annabel’s four children soon discovered their new home’s quirky period features: a hidden salt store in the inglenook fireplace in the oldest part of the house, where the precious substance would have been kept locked away from servants; and behind generations of wallpaper in the attic, the name of the plasterer, John Perkins, and the date, 1793, signed in plaster with his own finger.
Beneath it, added 100 years later, two further signatures and the intriguing words: ‘We come up here, with candles lit, but do not need them, not a bit’.
She found the turquoise clock for the kitchen seating area at Berrys & Grey in Cornwall. All the paintings in this space are by Annabel
While the home had retained its charm, it was also beginning to show its age. Annabel wanted to breathe new life into it, using her creative talents to adapt the living spaces for modern family life.
Linking the old part of the house to Annabel’s new studio, the utility features slate worktops from Great Tew Quarry and a deep sink from John Nicholls
A painted mural by Annabel adds rustic charm above the Aga. The ironstone worktops are from Great Tew Quarry
While the house was cosy and characterful, there was no large living space, and the kitchen was small and dark. ‘I’d always dreamed of creating a large eat-in, live-in kitchen where our friends and family could all gather,’ says Annabel.
Painted pine chairs are set round an antique servants’ table from Patsy Edwards Pine. The rise-and- fall pendants are from Holloways of Ludlow and the Cotswold stone flooring is from Downs Quarry
An oak-frame extension completed in 2001 gave her exactly that. With a huge table in the middle and a cosy seating area it serves every purpose. A similar-size extension added space to the living room, and moving the main staircase opened up the hallways and brought more light into the central heart of the house.
Annabel mixes soft floral prints in pretty pastel shades for her bedroom, with wallpaper from Farrow & Ball, toile de Jouy curtains from John Lewis, lampshades from Kate Forman and a footstool from The Lavender Basket in Shipston-on-Stour
‘Light became a preoccupation over the next decade,’ says Annabel. ‘Not one room truly made the most of the southerly views of the garden and countryside beyond.’ However, four small children, two dogs and several horses left no time for further home improvements, so it wasn’t until 2010 that she embarked on a second project.
The pretty slipper bath from John Nicholls works well in the little bathroom with its old oak beams and floor. The open shelves above the bath came from Station Mill Antiques
A spacious garden room was added at the back of the house with windows all round and topped with a roof lantern. Next came Annabel’s most inspired home improvement yet: a covered loggia accessed through French doors from the kitchen.
The perfect spot for entertaining, the patio area has a covered room making it a lovely place to sit whatever the weather
Annabel in her recently converted studio, formerly part of the farm’s stable block
Here, among climbing roses and pots of sweet peas, are sofas, hammocks and a large dining table, with an open fire for chilly evenings. ‘I love it out here,’ says Annabel. ‘It’s one of my favourite places to paint.’
Annabel painting in the garden
In the inspiring surroundings of her transformed home, Annabel’s painting has taken off and she recently converted the stables into a studio.
More inspiring farmhouse renovations:
- Explore this stunning Grade II Listed farmhouse
- Take a tour of this restored farmhouse in the Peak District
- You'll love this transformation of a Georgian farmhouse
